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	<itunes:new-feed-url>http://feeds.feedburner.com/thecoolashelltheatrepodcast</itunes:new-feed-url>
	<title>The Cool As Hell Theatre Podcast</title>
	<link>http://www.coolashelltheatre.com</link>
	<description>.</description>
	<pubDate>Fri, 30 Sep 2011 01:01:58 +0000</pubDate>
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		<copyright>&#xA9;Michael Rice </copyright>
		<managingEditor>cashinfo@coolashelltheatre.com (Michael Rice)</managingEditor>
		<webMaster>cashinfo@coolashelltheatre.com</webMaster>
		<category>Performing Arts</category>
		<ttl>1440</ttl>
		<itunes:keywords>theatre, theater, acting, drama, performing, arts, michael, rice</itunes:keywords>
		<itunes:subtitle>Cool As Hell</itunes:subtitle>
		<itunes:summary>A roller*coaster ride of candid interviews, exuberant humor, news and reviews! Featuring established greats and emerging artists! CASH covers the performing arts from the boards, backstage and beyond!</itunes:summary>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:category text="Arts">
  <itunes:category text="Performing Arts"/>
</itunes:category>
		<itunes:owner>
			<itunes:name>Michael Rice</itunes:name>
			<itunes:email>cashinfo@coolashelltheatre.com</itunes:email>
		</itunes:owner>
		<itunes:block>No</itunes:block>
		<itunes:explicit>no</itunes:explicit>
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			<title>The Cool As Hell Theatre Podcast</title>
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		<title>Contact Me</title>
		<link>http://www.coolashelltheatre.com/podcasts/contact-me/</link>
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		<pubDate>Fri, 25 Feb 2011 02:33:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject>
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		<description><![CDATA[To contact me please go to
MichaelWayneRice.com
Sorry for any inconvenience but this site is now defunct.

]]></description>
			<content:encoded><![CDATA[To contact me please go to
MichaelWayneRice.com
Sorry for any inconvenience but this site is now defunct.

]]></content:encoded>
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		<item>
		<title>Theatreworks presents August Wilson&#8217;s, RADIO GOLF. Directed by Harry Elam. A timely show for the conditions in which Obama is pioneering.</title>
		<link>http://www.coolashelltheatre.com/podcasts/theatreworks-presents-august-wilsons-radio-golf-directed-by-harry-elam-a-timely-show-for-the-conditions-in-which-obama-is-pioneering/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/theatreworks-presents-august-wilsons-radio-golf-directed-by-harry-elam-a-timely-show-for-the-conditions-in-which-obama-is-pioneering/#comments</comments>
		<pubDate>Tue, 07 Oct 2008 04:40:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>august wilson</dc:subject><dc:subject>harry Elam</dc:subject><dc:subject>radio golf</dc:subject><dc:subject>theatreworks</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/theatreworks-presents-august-wilsons-radio-golf-directed-by-harry-elam-a-timely-show-for-the-conditions-in-which-obama-is-pioneering/</guid>
		<description><![CDATA[Podcast #187
 
[C.As.H]:
The very first thing I have all guest do on the cool as hell theatre podcast is, I give them 30 seconds to describe what the show is about. The show you are directing for Theatreworks is called Radio Golf by August Wilson. 30 seconds. Go.
[Harry Elam]:
The play is about Harmond Wilks who [...]]]></description>
			<content:encoded><![CDATA[Podcast #187
 
[C.As.H]:
The very first thing I have all guest do on the cool as hell theatre podcast is, I give them 30 seconds to describe what the show is about. The show you are directing for Theatreworks is called Radio Golf by August Wilson. 30 seconds. Go.
[Harry Elam]:
The play is about Harmond Wilks who is running to be the first black mayor of Pittsburg. However something happens along the way when an old man who means something to his past enters into his office and changes everything.
[C.As.H]:
You are a expert on the works of august Wilson. Coming from that perspective and having done a lot of research on his plays and what his plays mean to the black audience and the world, what do you think has been the most misunderstood aspect of August Wilsons work?
[Harry Elam]:
Whats misunderstood is the idea that somehow he has written the whole black experience in these 10 plays. And what we understand is that there more to the black experience so there room for other playwrights there rooms for other artists to speak to the black experience or that he covered in these ten plays. If he lived who knows what more he would have said about the black experience. I think one of the things that is interesting about this play is that this is a play that deals with issue of race and class in ways that none of the other works do. S its interesting how he speaks to the black middle class and their relationship to the black masses in Radio Golf&#8230;[more in audio]
[C.As.H]:
There is a point of conflict for the ambitious character, Harmond Wilks, as he goes and tries to become the first black mayor and he comes to a point where he faces Aunt ester. And Aunt Ester has significance across multiple August Wilson plays. Can you talk about her a little bit?
[Harry Elam]:
August Wilson said that Aunt Ester is the most important character in his plays. That she is the mother. The way he put it was, all the rest of the characters re her children. And if you think of the word Aunt Ester and say it again, it sounds like ancestor. And she is a great ancestor. She was born when the first slaves ships came over in 1619. So shes as old as the African American presence in the United States. So one of the main things in Wilsons drama is that youve gotta connect to that past, to that history, to that ancestor[more in the audio]
[C.As.H]:
Speaking of past history and capitalism today, does August Wilson have anything specific to say about urban gentrification in this play?
[Harry Elam]:
Oh absolutely. Absolutely. He has a number to things to say in this play that the talks about. They are going to redo the hill, the black community of the hill. And what are they putting up there? They say they need their first supermarket and the supermarket they are putting up is a Wholefoods, a Starbucks and a Barnes and Nobles. In terms of affordability it is not potentially where people are going to shop. Right? So hes not serving the community in that way or hes putting up apartments where people may not be able to afford to live, the people of the community. So hes speaking to gentrification and what it does and he also brings up some of the history of Pittsburgh[more in the audio]
[C.As.H]:
Dr. Elam, you are a highly educated man who is a publish author.  You have held multiple distinguished posts, as the audience heard in the introduction. Is there such a thing as educational gentrification as pertains to black people?
[Harry Elam]:
I think thats a great question. I laugh because I hadnt heard the phrase before. But what you do hear from kids in Oakland, for example, to say that somehow if you talk a certain way, you talk white, or somehow if you study, you act white. Now when did education become associated with race? When did talking correct English in some ways or English get racialized? Those things in some ways are not in a sense, and shouldnt be about whiteness. And when you think back to our history and thats one of the things that I think Wilson tries to deal with[more in the audio]
[C.As.H]:
Taking a little different route. Having studied August Wilson, researched August Wilson the way that you have and right now producing this play that is very timely to the presidential elections coming up, if you were to advise Barack Obama, based on all the knowledge you have acquired in all this, what would you say to him?
[Harry Elam]:
Wow. That too is a great question. One of the things that I love about Obama is that he doesnt, in a sense, deny his history, deny the fact that he is black and connected to that. So what Wilson would say and I think he says it in this play, is that you have to be able to serve the community. So hes gotta find a way to serve the black community[more in the audio]
PLUS MORE UNIQUE CONTENT in the audio.
SHOW NOTES
Theatreworks: The Website
Playing Oct 3rd - Nov 1st
Radio Golf: Buy Tickets



Listen Now



august wilson harry Elam radio golf theatreworks ]]></content:encoded>
			<wfw:commentRss>http://www.coolashelltheatre.com/podcasts/theatreworks-presents-august-wilsons-radio-golf-directed-by-harry-elam-a-timely-show-for-the-conditions-in-which-obama-is-pioneering/feed/</wfw:commentRss>
			<enclosure url="http://www.coolashelltheatre.com/mp3s/HarryElam_RadioGolfPodcast.mp3" length="7421952" type="audio/mpeg"/>
<itunes:duration>15:27</itunes:duration>
		<itunes:subtitle>Your host, Michael Rice, talks to the highly acclaimed director of RADIO GOLF, Harry Elam. Listen in as this expert on the dramas of August Wilson, breaks down the knowledge inherent in one of the greatest playwrights of our generation.</itunes:subtitle>
		<itunes:summary>Pulitzer Prize winner August Wilsons inspired final play is a powerful elegy for a lost time, a hustling comedy-drama set in a neglected Pittsburgh neighborhood at the twilight of the 20th century, 1997. There, a charismatic African American politician is running for mayor, caught between the fresh-faced spirit of the future and the soulful voices of the past. Must he give up his song to fulfill his dreams? His hopes to protect his heritage?</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Ragged Wing Ensemble presents Clive Barkers THE HISTORY OF THE DEVIL, and asks us to consider the possibility that the Devil does not perpetrate atrocities against us!</title>
		<link>http://www.coolashelltheatre.com/podcasts/ragged-wing-ensemble-presents-clive-barkers-the-history-of-the-devil-and-asks-us-to-consider-the-possibility-that-the-devil-does-not-perpetrate-atrocities-against-us/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/ragged-wing-ensemble-presents-clive-barkers-the-history-of-the-devil-and-asks-us-to-consider-the-possibility-that-the-devil-does-not-perpetrate-atrocities-against-us/#comments</comments>
		<pubDate>Thu, 02 Oct 2008 04:58:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>Central Stage</dc:subject><dc:subject>clive barker</dc:subject><dc:subject>devil</dc:subject><dc:subject>god</dc:subject><dc:subject>history of the devil</dc:subject><dc:subject>Jeffrey Hoffman</dc:subject><dc:subject>Keith Cory Davis</dc:subject><dc:subject>ragged wing ensemble</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/ragged-wing-ensemble-presents-clive-barkers-the-history-of-the-devil-and-asks-us-to-consider-the-possibility-that-the-devil-does-not-perpetrate-atrocities-against-us/</guid>
		<description><![CDATA[Podcast #186
 
Ragged Wing Ensemble Presents: The History of the Devil, playing Oct 3rd " Nov 1st
Clive Barker: Playwright
A rough sketch of the interview (not transcribed word for word)
[Synopsis]: The devil is being put on trial for his alleged crimes against humanity. If he is found innocent he gets to go up to heaven and [...]]]></description>
			<content:encoded><![CDATA[Podcast #186
 
Ragged Wing Ensemble Presents: The History of the Devil, playing Oct 3rd " Nov 1st
Clive Barker: Playwright
A rough sketch of the interview (not transcribed word for word)
[Synopsis]: The devil is being put on trial for his alleged crimes against humanity. If he is found innocent he gets to go up to heaven and be with his father, if he is found guilty, he has to stay in hell.
What is Clive Barker trying to say about Christianity?
[Keith]: Clive barker has some issues with Christianity. I think there are a lot of themes that come up and toys with many different perspectives about what his Christianity is and what it has done to society and how its evolved and how its demented the soul of people.
How has Christianity demented the soul of people?
[Keith]: As far as Clive barkers perspective, it has become this white and Christian oriented power struggle between different religions and hierarchal power play between different aspects of society.
Author states this is not a dream play, not a mid-evil mystery play, parading semi-symbolic figure for a moral purpose, it is a history. What does that mean to you when you heard that and how does that translate on the stage?
[Jeffrey]: in order for the characters playing the chords as well as the audience to make up its minds, is the devil innocent or guilty, they have to see the scenes, where does he come from. So we get to see the people he has interacted with, and the essential moments that really define who he is as far as we are concerned. And we get to make up our own mind. It is not about parade this figure, this incarnation on stage. Its lets examine this objectively and see if we cant make up our own minds.
Make up your own minds about?
[Jeffrey]: About whether he has wreaked havoc on earth whether he has been an innocent bystander.
Christians all over the world will be up in arms with you saying maybe the devil has been a bystander with some of the evils that has gone on in this world.
[Jeffrey]: Well this play calls into question whether man is making his own evil or whether he has been provoked, and if so to what level
Are you ready for the fundamentalist to come knocking on your door ready to tear you down and shut you down?
[Jeffrey]: Id love that!
In your own idea of what religion is, define for  me, from your perspective, THE DEVIL.
[Keith]: is the dark side of any ones soul, the ying yang, we have good and we have evil, we have positive and we have negative, we need both things to exist and to come to terms with being a real true person you need to comes to term with your god and your devil
[Jeffrey]: Personally I dont think of devil as anything evil in the world. To me Im not even sure I believe in god, per se, but there is definitely an energy in the universe and it allows us to make our own choices, so if I have an errant judgmental thought, sometimes I think that was devilish of me. But I dont spend time fearing the ramifications of this thing that might be out there. 
What has been the most challenging part of directing this play?
[Jeffrey]: Well my history is working with objectives and tactics and focusing a lot on the acting side of things, and this is my first show for directing for Ragged Wing so there an entire physical component that is new to me, fortunately the rest of the company has enough experience that where I am lacking we all work together to make it happen.
Can you expound on this physical part you are lacking in?
[Jeffrey]: Ragged wings history is performing physically adventurous types of shows. SO even in this show we have flying, falling, abstract movement and thats been a real challenge and exciting thing for me.
What has been the most challenging part of acing the part of the devil this play?
[Keith]: A combination of the physical requirements of this character. I do a 6 foot drop, flying on a rope, physical slapping, fights, theres a lot of physical challenges, but also realigning and figuring out the course the character is taken not only over the arc of the court room but in all the different vignettes of the HISTORY of this character and how he has evolved from the first fall that we see when he was completely innocent to the very final moment when he is released, on way or the other, that you see the evolution of how  this character has changed and how hes been hurt, betrayed and how he has sought revenge.
God and the Devil in the boxing ring, who would kick whose ass?
[Keith]: Its kind of a no decision, I think they would both annihilate each other and we would all go zipping out into the universe.
Thats a safe answer. That is a middle of the road answer
[Keith]: OK Ill give you an answer: Lucifer, knockout
Jeffrey as we end this interview, I am going to present this question, but in order for you to answer this, you must do this first. We are here at Central Stage in Richmond, and I need all humility sucked out of this building. There is no humility allowed. And as the humility is sucked out, the vacuum creates an inflow of ego. Why should people come see your show, The History of the Devil, running Oct 3rd " Nov 1st?
This show is so complex as a piece of theatre it give you everything. You have physicalization, you have exciting movement, you have exciting visuals, the acting is top notch, and its a new space, people havent performed here before. Plenty of parking too. So as an audience member your gonna love the parking.
SHOW NOTES
Ragged Wing EnsembleThe Website
Playing Oct 3rd - Nov 1st
The History of the Devil: Buy Tickets



Listen Now



Central Stage clive barker devil god history of the devil Jeffrey Hoffman Keith Cory Davis ragged wing ensemble ]]></content:encoded>
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			<enclosure url="http://www.coolashelltheatre.com/mp3s/HistoryOfTheDevilPodcast.mp3" length="6579688" type="audio/mpeg"/>
<itunes:duration>12:29</itunes:duration>
		<itunes:subtitle>Your host, Michael Rice delves into the Spiritual with theatre company Ragged Wing Production and their show THE HISTORY OF THE DEVIL. Find out what this show is about and the interviewees perspective on religion, the devil and god. Ohh yeah, they reveal who would kick whose ass in a boxing ring.</itunes:subtitle>
		<itunes:summary>Clive Barkers THE HISTORY OF THE DEVIL- a story of redemption, compassion and fear - takes place at The Devil's parole hearing, where audiences sit in as jurors and are transported back in time via vignettes of testimony that illustrate The Devils actions throughout history. Frequently fantastic, often grotesque, and chock full of wry humor in true Clive Barker style, this shows ambitious scope and staging will highlight Ragged Wing Ensembles distinctive work in the Bay Area as a theatre company that creates physically adventurous and visually stimulating work. </itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>The Magic Theatre Presents &#8220;The K of D: An Urban Legend&#8221;, written by Laura Schellhardt, directed by the lovely Rebecca Novick, and acted by the talented Maya Lawson.</title>
		<link>http://www.coolashelltheatre.com/podcasts/the-magic-theatre-presents-the-k-of-d-an-urban-legend-written-by-laura-schellhardt-directed-by-the-lovely-rebecca-novick-and-acted-by-the-talented-maya-lawson/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/the-magic-theatre-presents-the-k-of-d-an-urban-legend-written-by-laura-schellhardt-directed-by-the-lovely-rebecca-novick-and-acted-by-the-talented-maya-lawson/#comments</comments>
		<pubDate>Fri, 19 Sep 2008 04:10:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>Laura Schellhardt</dc:subject><dc:subject>magic theatre</dc:subject><dc:subject>maya lawson</dc:subject><dc:subject>northwestern university chicago</dc:subject><dc:subject>paula vogel</dc:subject><dc:subject>playwright</dc:subject><dc:subject>rebecca novick</dc:subject><dc:subject>the k of d</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/the-magic-theatre-presents-the-k-of-d-an-urban-legend-written-by-laura-schellhardt-directed-by-the-lovely-rebecca-novick-and-acted-by-the-talented-maya-lawson/</guid>
		<description><![CDATA[Podcast #185
 

ONE YOUNG GIRL, IN A SMALL TOWN, WHERE EVERYONE KNOWS EVERYONE, AND SHADINESS LURKS AROUND MANY CORNERS. CAN YOU GUESS WHAT HAPPENS TO HER IN THAT CIRCUMSTANCE? AND WHAT HAPPENS WHEN YOU INJECT THE IDEA OF URBAN LEGENDS INTO THE MIX?

The play is called The K of D, aka, The Kiss of Death
One [...]]]></description>
			<content:encoded><![CDATA[Podcast #185
 

ONE YOUNG GIRL, IN A SMALL TOWN, WHERE EVERYONE KNOWS EVERYONE, AND SHADINESS LURKS AROUND MANY CORNERS. CAN YOU GUESS WHAT HAPPENS TO HER IN THAT CIRCUMSTANCE? AND WHAT HAPPENS WHEN YOU INJECT THE IDEA OF URBAN LEGENDS INTO THE MIX?

The play is called The K of D, aka, The Kiss of Death
One young girl embodies the entire population of her small town to spin the story of the summer that inexplicably changed her life. This quirky and touching play offers the unexpected perspective of a child on the big questions of life and death.
I dont know about you, but I have never lived in a small town. I have only heard about them on the Maury Povich show, or the Montel Williams show. And every time a small town story was on one of those shows, the least you could say about them was they were interesting as hell.
Characters seemed to abound in small towns. People you would never see in the city, all seemed to have moved to the country and started an inbreeding program there. You know, Uncle Cletus was in love with his sister Naomi and Jack had a secret crush on his mom.
I may be stating the extreme, but when you honestly reflect on your perception of small town drama, what does it entail? What happens when every one knows every one? What happens when nobody locks their doors at night, for fear of offending someone? What happens when kids have no outlet for their adolescent hormones raging thru them?
It all sounds interesting to me. 
Add in to the mix, the idea of urban legends and you have a concoction that that is bound to be perplexing, engaging, unbelievable and enticing. But what is an urban legend? As described by the actress who will be playing 17 characters, an urban legend is a story that is told in many different ways. It has many different opinions on what happened and how it happened and what didnt happen. An urban legend has a leery quality that makes it interesting. 
This would not be an interesting interview if I did not ask the participants about an urban legend that they have either heard or experienced. So I asked. And for those of you reading this in the SF Bay Area, you get a great story about a cop, the Golden Gate Park, and traffic tickets that may or may not exist. 
I guess I should add that Urban Legends can be scary as hell.

THE LANGUAGE OF THE PLAY HAS BEEN DESCRIBED AS MUSCULAR, HAVING BOLD IMAGINATION AND HAVING EMOTIONAL VITALITY. AND WE HAVE TWO CRAFTSMEN; OOPPS I MEAN CRAFTSWOMEN BRINGING YOU THIS PRODUCTION.

By that I mean they have impressive backgrounds and promising futures.
How can you resist a production that has been described in such a way? The playwright Laura Schellhardt went out of her way to make the language of this play accessible and true to life. As a matter of fact, she went thru an unusual editing process. 
In order to make the language spot on, Laura enlisted the help of teenagers. You see, many, but not all of he characters are teens, and since the playwright has grown past her teens, she enlisted their help to help her nail the language of the younger crowd. 
Laura was wise enough to recognize her weaknesses and genius enough to know how to inject her own voice to give the script vitality, depth, and poeticism. I gotta give her credit for that. 
By the way, Laura heads the playwright program at Northwestern University in Chicago and an ex student of Pulitzer prize winning playwright, Paula Vogel.
These are the craftswomen putting on the play
The director is Rebecca Novick. She has been a fixture within the San Francisco theatrical scene for over 10 years. Many of you may know that she was the founding artistic director of Crowded Fire Theatre: a company that focused on new, experimental works. For 10 years she ran the company producing 23 plays and directing 15. She is an award winning director and works all over as a freelance director today, having left Crowded Fire Theatre.
I must say that Rebecca is highly qualified to handle text of this nature. She is not necessarily known for directing one person shows. She has two feet solidly planted in the experimental ensemble pieces world. But because of that I am certain that she will bring something a little different to this production. And no matter how you think about it, one person playing 17 roles is an ensemble piece.
The actress in this show also has nothing but praise for the director. I know that many of you will be saying of course she has praise for the director. Why would she not praise the director, in an interview, with the director sitting right there? And that is a valid point.

BUT WHAT HAPPENS WHEN YOU MEET SOMEONE AND YOU GET THIS VIBE, THIS VIBE THAT MAKES YOU SIT UP, PAY ATTENTION, AND GET READY FOR A JOY RIDE?

The actress is Maya Lawson. The minute I met her, I was put at ease. There was a positive aura that emanated from her. That aura resonated with honesty, a certain purity, a certain genuine-ness. She was very warm and very inviting. She was and is alluring, a fact that I could not escape moment I met her.
And Rebecca, the director, had nothing but praise for the actress. And I know what your saying of course she has praise for the actress. She picked her right?.
Well you have a point, Rebecca did pick Maya. But when I asked Rebecca why she picked Maya, Rebecca gave some very motivating explanations for her choice. I must say that hearing Rebecca expound on her reason for choosing Maya certainly helped me decide that this was a production that I need to see.
And Maya has plenty of experience. She is a Bay Area native who went to the School for the arts. And after that, she went to Cornish, in Seattle, and received a B.F.A in acting. She is also a member of Equity. And having been a member of equity myself, I take that as a badge of honor. 
For those of you disenfranchised with the equity label, get over it. I am tired of hearing non-equity actors bash equity actors with things like just because they are equity doesnt mean they have more talent than me. Most of the equity actors suck anyway.
I can wait for the day a non-equity actor turns equity and I can say remember when you said most equity actors suck? Do you fall in that category now?
Anyway, I digress.
Go check out The K of D: An Urban Legend, playing at The Magic Theatre Sept 20th - Oct 19th.
SHOW NOTES
Magic Theatre: The Website
Playing Sept 20th, - Oct 19th
The K of D: An Urban Legend: Buy Tickets



Listen Now



Laura Schellhardt magic theatre maya lawson northwestern university chicago paula vogel playwright rebecca novick the k of d ]]></content:encoded>
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			<enclosure url="http://www.coolashelltheatre.com/mp3s/MagicTheatre_TheKofDPodcast.mp3" length="6252544" type="audio/mpeg"/>
<itunes:duration>13:01</itunes:duration>
		<itunes:subtitle>Your host, Michael Rice, interviews 2 beautiful ladies about the play THE K OF D: An Urban Legend, which is a coming of age story of a young girl growing up in a small city. These 2 ladies are genuine as hell, and because of this, I WILL GO SEE THIS SHOW!</itunes:subtitle>
		<itunes:summary>One young girl embodies the entire population of her small town to spin the story of the summer that inexplicably changed her life. This quirky and touching play offers the unexpected perspective of a child on the big questions of life and death.</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Second Wind Productions presents FLAG DAY, by Lee Blessing. A blatant look at racism in America.</title>
		<link>http://www.coolashelltheatre.com/podcasts/second-wind-productions-presents-flag-day-by-lee-blessing-a-blatant-look-at-racism-in-america/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/second-wind-productions-presents-flag-day-by-lee-blessing-a-blatant-look-at-racism-in-america/#comments</comments>
		<pubDate>Sat, 13 Sep 2008 05:03:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>barack</dc:subject><dc:subject>down and dirty</dc:subject><dc:subject>flag day</dc:subject><dc:subject>good clean fun</dc:subject><dc:subject>ian walker</dc:subject><dc:subject>lee blessing</dc:subject><dc:subject>mischa</dc:subject><dc:subject>obama</dc:subject><dc:subject>president</dc:subject><dc:subject>racism</dc:subject><dc:subject>second wind</dc:subject><dc:subject>susanna</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/second-wind-productions-presents-flag-day-by-lee-blessing-a-blatant-look-at-racism-in-america/</guid>
		<description><![CDATA[Podcast #184
 

IF THE WORDS NIGGA AND CRACKA ARE TERMS YOU FEEL ARE IN NEED DEEP EXAMINATION IN OUR COUNTRY THEN YOU WILL UNDOUBTEDLY ENJOY THIS PODCAST WITH THE CAST AND CREW OF SECOND WIND WHO ARE PRESENTING FLAG DAY BY LEE BLESSING

And dont worry, those words arent said in the interview, but a deep [...]]]></description>
			<content:encoded><![CDATA[Podcast #184
 

IF THE WORDS NIGGA AND CRACKA ARE TERMS YOU FEEL ARE IN NEED DEEP EXAMINATION IN OUR COUNTRY THEN YOU WILL UNDOUBTEDLY ENJOY THIS PODCAST WITH THE CAST AND CREW OF SECOND WIND WHO ARE PRESENTING FLAG DAY BY LEE BLESSING

And dont worry, those words arent said in the interview, but a deep discussion about race, with complete honesty happens, with 2 identified blacks, 1 bi-racial and 1 white person.
FLAG DAY is a play in 2 parts. The first play in the series is called [  Good Clean Fun   ]. It examines race relations as viewed thru the eyes of 2 office employees of firm. One is white and one is black. And they get their rocks of by going on prejudicial rants, monitored by egg timers they set. Most of the interview you will be listening to revolves around this play. The other component or play making up FLAG DAY is called [   Down &#038; Dirty    ]. And it examines race issues after a white pedestrian is hit by a car, gets stuck in a windshield and is left to die as the occupants discuss his fate.
Second wind productions, a company in existence for 22 years has decided to tackle this production, in part because of the Presidential elections of 2008. One of the producers in particular felt it necessary to make this play happen because of the opportunity to promote dialogue across the cultural divide, so that America can heal itself of this centuries old riff. I think that is a little optimistic, for the racial divide has been a staple of the American lively hood. Do I ever think it will go away? NOPE. It is impossible for me to look at a white man and not notice he is white. It will be impossible for me to not succumb to stereotypes when we are conditioned by media (television and media). 
At the same token it would be foolish of me not to acknowledge that race relations in America are far superior today than in the 50s, for example. We have gotten better as a nation and the fact that Obama has been nominated by a political party as the 1st black presidential nominee speaks volumes to the progress America has made towards cultural equity.

SPEAKING OF OBAMA, HOW MANY OF YOU HAVE HEARD HEATED RACIAL DISCUSSION BECAUSE OF OUR CURRENT POLITICAL CLIMATE?

The cast and crew of Flag Day have some surprising revelations
In this interview the cast and crew were not afraid to open up about some sensitive issues. It also helps that at the beginning of this interview I let them know that this was going to be an honest, hard hitting look at racism. And they all agreed to take part.
Little did they know what I had in store (muwahhhhh!)
I was appreciative of the cast and crew when I threw questions at them like Youre black. Have you heard a white person say they would not vote for Obama because he was black?
This is the type of question that most interviewees are afraid to answer. I fully expected to have some problems getting people to answer this question, but to my surprise I got some very honest responses.
And it is always interesting to hear what white people think of racism in the current political climate. And maybe thats because I am black. Or maybe its because it is hard for me to believe when a white people claims to not be racist. Or maybe its hard for me to believe that people in general cant be racist. What ever it is, their perspective is profoundly interesting. Sometimes they have some profound insights. As a matter of fact, Susanna, the director of the show, is white. She has taken issue with America and its need to label the candidates as the first black president or the first female in office. She thinks the campaign should just be about 4 people running for office. 
I think that is a bit nave. Ok, I think that is A LOT nave, but that is a testament to our different cultural backgrounds. And ohh yeah, Susanna and I went at it in this interview. It was good fun, but sometimes I felt she was trying to skirt some issues.

HOW DO YOU DEFINE RACISM? AND WHAT RACIST TENDENCIES DO YOU SEE IN YOURSELF?

Dont worry, Im not asking you this, but this is what I asked the cast and crew of Flag Day. YUP, I sure did.
There is no way one can conduct an interview about race and not ask blunt and direct questions. What is racism? Who can be racist? What are the components of racism? What racist tendencies do you exhibit?
Believe me, when these questions started coming out of my mouth, people started wiggling in their seats. I found it interesting to hear the perspective of the bi-racial actor in the cast. He is black and white. Can you guys where his answers tended to go? Ill give you a hint: He would sometimes try to skirt, but when pressed would engage in my request.
Susanna, the white director, liked to give politically correct answers. But can I blame her? Here I am a big black guy, asking questions about racism to a white woman. I know that it can be intimidating for white folk to talk about racism in the presence of black people. 
And then there is Mischa. You are going to love her. A black woman with blunt, terse answers. I sometimes had to force her to expound on her answers, but that was ok. That was a lot easier to do as opposed to getting people to stop spitting out the politically correct answers.

THE BIGGEST REASON YOU SHOULD LISTEN TO THIS SHOW IS TO HEAR HOW ARTISTS IN OUR COMMUNITY ARE DEFINING HOW RACSIM AFFECTS THEM AND HOW THEY DEAL WITH PERSONAL REALIZATIONS OF RACISM THAT EXISTS IN THEIR MINDS.

For example, when asked about her personal racist views, the director Susanna answers by saying things like: I do theatre because I grew up in diverse in environment, traveled, and have a sincere interest in people as a group. Other cultures and perspectives interest me. I would love to say that she was not racist because of these experiences, but that would be an ignorant statement. Part of life and experiencing is to unearth and discover some subconscious prejudices you have
For example, when asked about his personal racist tendencies, bi-racial actor, Ian, talks about his stereotypical thoughts about black kids in the black community, and kind of outs the black community on the intra-cultural racism that exists.
So if you are interesting in a direct look at racism, from a white playwrights point of view, then GO SEE FLAG DAY presented by Second Wind.
If you enjoy the show as much as I enjoyed the interview, you will get your moneys worth.
SHOW NOTES
Second Wind Productions: The Website
Playing Sept 5th, - Sept 21st
Flag Day: Buy Tickets



Listen Now



barack down and dirty flag day good clean fun ian walker lee blessing mischa obama president racism second wind susanna ]]></content:encoded>
			<wfw:commentRss>http://www.coolashelltheatre.com/podcasts/second-wind-productions-presents-flag-day-by-lee-blessing-a-blatant-look-at-racism-in-america/feed/</wfw:commentRss>
			<enclosure url="http://www.coolashelltheatre.com/mp3s/SecondWind_FlagDayPodcast.mp3" length="9019392" type="audio/mpeg"/>
<itunes:duration>18:47</itunes:duration>
		<itunes:subtitle>Podcast #184

  
IF THE WORDS NIGGA AND CRACKA ARE TERMS YOU FEEL ARE IN NEED DEEP EXAMINATION IN OUR COUNTRY THEN YOU WILL UNDOUBTEDLY ...</itunes:subtitle>
		<itunes:summary>Podcast #184

  
IF THE WORDS NIGGA AND CRACKA ARE TERMS YOU FEEL ARE IN NEED DEEP EXAMINATION IN OUR COUNTRY THEN YOU WILL UNDOUBTEDLY ENJOY THIS PODCAST WITH THE CAST AND CREW OF SECOND WIND WHO ARE PRESENTING FLAG DAY BY LEE BLESSING

And dont worry, those words arent said in the interview, but a deep discussion about race, with complete honesty happens, with 2 identified blacks, 1 bi-racial and 1 white person.

FLAG DAY is a play in 2 parts. The first play in the series is called [  Good Clean Fun   ]. It examines race relations as viewed thru the eyes of 2 office employees of firm. One is white and one is black. And they get their rocks of by going on prejudicial rants, monitored by egg timers they set. Most of the interview you will be listening to revolves around this play. The other component or play making up FLAG DAY is called [   Down  Dirty    ]. And it examines race issues after a white pedestrian is hit by a car, gets stuck in a windshield and is left to die as the occupants discuss his fate.

Second wind productions, a company in existence for 22 years has decided to tackle this production, in part because of the Presidential elections of 2008. One of the producers in particular felt it necessary to make this play happen because of the opportunity to promote dialogue across the cultural divide, so that America can heal itself of this centuries old riff. I think that is a little optimistic, for the racial divide has been a staple of the American lively hood. Do I ever think it will go away? NOPE. It is impossible for me to look at a white man and not notice he is white. It will be impossible for me to not succumb to stereotypes when we are conditioned by media (television and media). 

At the same token it would be foolish of me not to acknowledge that race relations in America are far superior today than in the 50s, for example. We have gotten better as a nation and the fact that Obama has been nominated by a political party as the 1st black presidential nominee speaks volumes to the progress America has made towards cultural equity.


SPEAKING OF OBAMA, HOW MANY OF YOU HAVE HEARD HEATED RACIAL DISCUSSION BECAUSE OF OUR CURRENT POLITICAL CLIMATE?

The cast and crew of Flag Day have some surprising revelations

In this interview the cast and crew were not afraid to open up about some sensitive issues. It also helps that at the beginning of this interview I let them know that this was going to be an honest, hard hitting look at racism. And they all agreed to take part.

Little did they know what I had in store (muwahhhhh!)

I was appreciative of the cast and crew when I threw questions at them like Youre black. Have you heard a white person say they would not vote for Obama because he was black?

This is the type of question that most interviewees are afraid to answer. I fully expected to have some problems getting people to answer this question, but to my surprise I got some very honest responses.

And it is always interesting to hear what white people think of racism in the current political climate. And maybe thats because I am black. Or maybe its because it is hard for me to believe when a white people claims to not be racist. Or maybe its hard for me to believe that people in general cant be racist. What ever it is, their perspective is profoundly interesting. Sometimes they have some profound insights. As a matter of fact, Susanna, the director of the show, is white. She has taken issue with America and its need to label the candidates as the first black president or the first female in office. She thinks the campaign should just be about 4 people running for office. 

I think that is a bit nave. Ok, I think that is A LOT nave, but that is a testament to our different cultural backgrounds. And ohh yeah, Susanna and I went at it in this interview. It was good fun, but sometimes I felt she was trying to skirt some issues.

 
HOW DO YOU DEFINE RACISM? AND WHAT RACIST TENDENCIES D</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Aurora Theatre presents the political thriller, THE BEST MAN, written by Gore Vidal, and directed by Artistic Director Tom Ross</title>
		<link>http://www.coolashelltheatre.com/podcasts/aurora-theatre-presents-the-political-thriller-the-best-man-written-by-gore-vidal/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/aurora-theatre-presents-the-political-thriller-the-best-man-written-by-gore-vidal/#comments</comments>
		<pubDate>Wed, 10 Sep 2008 04:01:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>aurora</dc:subject><dc:subject>best man</dc:subject><dc:subject>Charles Dean</dc:subject><dc:subject>Charles Shaw Robinson</dc:subject><dc:subject>Deb Fink</dc:subject><dc:subject>Emilie Talbot</dc:subject><dc:subject>gore vidal</dc:subject><dc:subject>Michael Cassidy</dc:subject><dc:subject>Michael Patrick Gaffney</dc:subject><dc:subject>political</dc:subject><dc:subject>theatre</dc:subject><dc:subject>Tim Kniffin</dc:subject><dc:subject>tom ross</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/aurora-theatre-presents-the-political-thriller-the-best-man-written-by-gore-vidal/</guid>
		<description><![CDATA[Podcast #183
 

IF YOU LIKE DRAMATIC SATIRICAL COMEDIES DRENCHED IN ISSUES SURROUNDING POLITICAL ETHICS, THEN YOU ARE BOUND TO LOVE GORE VIDALS &#8220;THE BEST MAN&#8221; PRESENTED BY AURORA THEATRE.

Its being performed August 22, - Sept 28
I personally did not grow up hearing about Gore Vidal. As a matter of fact, when I was contacted to [...]]]></description>
			<content:encoded><![CDATA[Podcast #183
 

IF YOU LIKE DRAMATIC SATIRICAL COMEDIES DRENCHED IN ISSUES SURROUNDING POLITICAL ETHICS, THEN YOU ARE BOUND TO LOVE GORE VIDALS &#8220;THE BEST MAN&#8221; PRESENTED BY AURORA THEATRE.

Its being performed August 22, - Sept 28
I personally did not grow up hearing about Gore Vidal. As a matter of fact, when I was contacted to do this interview, I secretly wondered if he was somehow related to the Vidal Sassoon empire. Boy was I wrong (an embarrassingly so).
You see, as it turns out, he was much more interesting that some hair dresser. Not that hair dressers can be interesting, but Gore turned out to be a political dynamo who was able to hold peoples attention. 
Gore was a prolific writer, so of course he did not have time to do hair. He had a panache for providing commentary on socio-political issues, on sexual issues, historical issues and literary themes. 
I am not going to lie, I have read nothing by this man, but here is what I do know (thatnk you wikipedia).
And he was an accomplished essayist, novelist, and playwright. He was political in nature. I happened to be born 9 years after he ran for Congress in 1960 (the same year this play, THE BEST MAN, was produced on Broadway). Believe me, the last thing my black family was worried about was some guy ranting about politics. Just not something my family was interested in.
Nor did they care about Gore being born, essentially, into royalty. Ok royalty may be a bit strong, but he was born into high political connections. This is something that black folk had no notion of, especially back then. Today we have Condelezza Rice (does she have children?), Colin Powell (does he have children?) and Barack Obama (who wasnt born into high political connections, but boy, will his daughters have connections).
So what type of connections did Gore have? I learned that his father worked in the Roosevelt administration. His grandfather was a Senator. He is / was a 5th cousin to ex president Jimmy Carter and is a distant cousin to Al Gore (I dont know how a last name got to be his first name, but I guess that can happen in the political stratosphere were a mere mortal, such as myself does not have the key to enter).

SO WHY IN THE HELL DID I AGREE TO DO THIS INTERVIEW IF I KNEW NOTHING ABOUT THIS MAN? AND WHAT IS THIS PLAY REALLY ABOUT?

Because there were some interesting parallels about this production that mirrors what is happening in the presidential elections of 2008.
There was a monumental happening in 1960. It was an election year. And it was the first year the presidential debates were held on television. Now I know that those of us born after the 60s will never have a strong appreciation for what that historic event meant to the generations before us. But what we can appreciate today is that corresponding parallel of how Barack Obama has leveraged the internet better than any presidential candidate in history. Not that the internet has been around that long, but many of us have been part of the internet revolution and have experienced first hand how it has changed our lives forever. 
So in 1960 we had presidential debates on the television, which was revolutionary, and in 2008 the revolution lies in using web strategies to propel a black man to be the first ever man of color to receive a presidential nomination by a political party. 
I actually found it interesting that a play, about 50 years old, could still be relevant today and could possibly offer us a glimpse into what our current presidential process is about. 
Gore Vidal&#8217;s The Best Man features two front runners for a political party nomination that will almost certainly make one the next President of the United States. Each candidate is in possession of some serious mud to sling and each has to decide just how dirty to play the game. Written with the deep insight of a true political insider (Vidal ran for Congress in 1960, the same year he penned the play) and the wit of a grand man of letters.
You should know that one of the characters is based on Adlai Stevenson / John Kennedy and the other character is based on Richard Nixon. Now again, I must apologize, I am not knowledgeable in my political figures. But everyone knows the legacy of the Kennedy clan, and everyone knows the infamous Nixon administration, tarred by the Watergate incident. I cant even begin to tell you about Adlai. Never heard of him until this interview.

AND THEN THERE IS THE MUD SLINGING AND ALL THE POLITICAL INNUENDOS THAT HAPPEN IN A POLITICAL ELECTION

Yes, every single one of us desires to hear an earful of &#8216;dirt&#8217; about other people every once and a while.
Now Tom Ross, the director of THE BEST MAN, playing at the Aurora theatre is quick to point out that this play is a political play but not about political issues. Thats what keeps it timely. One of the things that happens in politics is the mud slinging, the dirt digging and the gossip mongers out to hurt their opponent. In this play issues of moral righteousness come up and how one keeps a sense of humanity in an electoral process that many times has candidates resorting to dirty tactics with win over their American audience. I asked Tom if he and the actors tackled that dilemma and if so, what solutions did they come up with.
Tom stated that although they did discuss the issues of mud slinging and maintaining a moral compass, it was not up to him and the actors to decide if there was actually a way to maintain ones sense of moral fortitude during political tenure. Tom believes it is for the audience to make that decision.
Although I did not state this in the interview, HERE IS MY POINT OF CONTENTION. If I, as an actor, am playing a character that has to make decisions based on my sense of what is right / wrong and what is moral, I must find a way to make that happen. If that is the true intent of my character, I cannot help but find ways to justify my actions so that I can keep a sense of positive contributions to society and to my constituency. BUT obviously Tom Ross does not feel like. Or maybe he just doesnt want to tell the audience what they figured out. Maybe what he really meant was yes we explored that and each character found their way, BUT IM NOT GOING TO TELL YOU WHAT THAT IS! Haha. You have to come see the show!
Maybe that is what he really meant, but he just couldnt say that. Then again, maybe he meant exactly what he said.
One of the more interesting components of this production comes from a story from Tom Ross about his remembrance of the 1968 elections that were televised. You see, Tom was very young during the 1960 televised presidential debates, but come 1968, Tom was ready to watch what candidates had to say. And Tom remembered seeing Gore Vidal (who he described as the Liberal) at the presidential convention facing off with William H. Buckley (who Tom described as the conservative). 
Apparently, on live television, while in a heated argument, Vidal called Buckley a crypto-nazi and Buckley quickly retorted by calling Gore a little queer and that he was going to beat Gore up.
THAT IS MUD SLINGING AT ITS BEST.
So if this type of material is of interest to you, then I think I have found the perfect production for you to go see. It is THE BEST MAN playing at the Aurora Theatre in Berkeley August 22, - Sept 28. It was directed by the Artistic Director of the theatre, Mr. Tom Ross.
GO SEE IT. And vote for Barack! (when the time comes)
SHOW NOTES
Aurora Theatre: The Website
Playing August 22, - Sept 28
The Best Man: Buy Tickets



Listen Now



aurora best man Charles Dean Charles Shaw Robinson Deb Fink Emilie Talbot gore vidal Michael Cassidy Michael Patrick Gaffney political theatre Tim Kniffin tom ross ]]></content:encoded>
			<wfw:commentRss>http://www.coolashelltheatre.com/podcasts/aurora-theatre-presents-the-political-thriller-the-best-man-written-by-gore-vidal/feed/</wfw:commentRss>
			<enclosure url="http://www.coolashelltheatre.com/mp3s/TomRoss_TheBestManPodcast.mp3" length="5726208" type="audio/mpeg"/>
<itunes:duration>11:55</itunes:duration>
		<itunes:subtitle>Tom Ross is the Artistic Director of Aurora Theatre. He directs THE BEST MAN. I get the opportunity to sit down with him and discuss this political thriller written by Gore Vidal. We discuss Gore's political leanings, writings, and some of the mud that has been slung about Gore. </itunes:subtitle>
		<itunes:summary>Gore Vidal's The Best Man features two front runners for a political party nomination that will almost certainly make one the next President of the United States. Each candidate is in possession of some serious mud to sling and each has to decide just how dirty to play the game.</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Along the Paths of Larks and Swallows, by Mia Paschal, being performed at the 2008 SF Fringe Festival.</title>
		<link>http://www.coolashelltheatre.com/podcasts/along-the-paths-of-larks-and-swallows-by-mia-paschal-being-performed-at-the-2008-sf-fringe-festival/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/along-the-paths-of-larks-and-swallows-by-mia-paschal-being-performed-at-the-2008-sf-fringe-festival/#comments</comments>
		<pubDate>Wed, 03 Sep 2008 04:58:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>along the paths of larks and sparrows</dc:subject><dc:subject>mia paschal</dc:subject><dc:subject>sf fringe</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/along-the-paths-of-larks-and-swallows-by-mia-paschal-being-performed-at-the-2008-sf-fringe-festival/</guid>
		<description><![CDATA[Podcast #182
 
Along The Paths Of Larks And Swallows performed by Mia Paschal, plays at the SF Fringe Festival 2008.
Winner of the Best Female Solo Award at the SF Fringe in 2004 and 2006, Mia returns with a darkly comic valentine.
&#8220;..beautifully written and performed&#8230;Cheerfully delivering crisp aphorisms, delving into the nitty-gritty of relationships gone bad, [...]]]></description>
			<content:encoded><![CDATA[Podcast #182
 
Along The Paths Of Larks And Swallows performed by Mia Paschal, plays at the SF Fringe Festival 2008.
Winner of the Best Female Solo Award at the SF Fringe in 2004 and 2006, Mia returns with a darkly comic valentine.
&#8220;..beautifully written and performed&#8230;Cheerfully delivering crisp aphorisms, delving into the nitty-gritty of relationships gone bad, Paschal&#8217;s forceful stage presence can be hypnotic. She hones in on little bits of life that all of us experience but never bother to articulate.&#8221;
SHOW NOTES
The Fringe Festival
PLAYING
Phoenix Theatre
THURSDAY 4 8:30 PM
FRIDAY 5 10:00 PM
SATURDAY 6 7:00 PM
THURSDAY 11 7:00 PM
FRIDAY 12 10:00 PM
SATURDAY 13 8:30 PM
Along The Paths of Larks and Swallows: Buy Tickets



Listen Now



along the paths of larks and sparrows mia paschal sf fringe ]]></content:encoded>
			<wfw:commentRss>http://www.coolashelltheatre.com/podcasts/along-the-paths-of-larks-and-swallows-by-mia-paschal-being-performed-at-the-2008-sf-fringe-festival/feed/</wfw:commentRss>
			<enclosure url="http://www.coolashelltheatre.com/mp3s/MiaPaschal_AlongThePathPodcast.mp3" length="4491264" type="audio/mpeg"/>
<itunes:duration>9:21</itunes:duration>
		<itunes:subtitle>You host, Michael Rice, talks to veteran and award winning Fringe festival performer, Mia Paschal about her latest show, IN THE PATHS OF LARKS AND SWALLOWS. This is a look in to relationships gone bad, as well as relationships gone good. </itunes:subtitle>
		<itunes:summary>Winner of the Best Female Solo Award at the SF Fringe in 2004 and 2006, Mia returns with a darkly comic valentine.

"..beautifully written and performed...Cheerfully delivering crisp aphorisms, delving into the nitty-gritty of relationships gone bad, Paschal's forceful stage presence can be hypnotic. She hones in on little bits of life that all of us experience but never bother to articulate."</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>The Punchline, by Alicia Dattner, being performed at the 2008 SF Fringe Festival.</title>
		<link>http://www.coolashelltheatre.com/podcasts/the-punchline-by-alicia-dattner-being-performed-at-the-2008-sf-frnige-festival/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/the-punchline-by-alicia-dattner-being-performed-at-the-2008-sf-frnige-festival/#comments</comments>
		<pubDate>Wed, 03 Sep 2008 04:57:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>alicia dattner</dc:subject><dc:subject>festival</dc:subject><dc:subject>sf fringe</dc:subject><dc:subject>the punchline</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/the-punchline-by-alicia-dattner-being-performed-at-the-2008-sf-frnige-festival/</guid>
		<description><![CDATA[Podcast #181
 
The Punchline performed by comic Alicia Dattner, plays at the SF Fringe Festival 2008.
This one-woman-show takes an irreverent look at what stops people from pursuing their dreams. Dives inside the wild playground of the mind and ask the big questions: What&#8217;s life all about? Why am I here? Where are you hiding the [...]]]></description>
			<content:encoded><![CDATA[Podcast #181
 
The Punchline performed by comic Alicia Dattner, plays at the SF Fringe Festival 2008.
This one-woman-show takes an irreverent look at what stops people from pursuing their dreams. Dives inside the wild playground of the mind and ask the big questions: What&#8217;s life all about? Why am I here? Where are you hiding the chocolate?
Take a journey with Alicia into the quirky world of standup comedians, hungry-funny monsters who live in the belly, Jewish grandmothers, and wacky gurus who all think they know the answers. This poignant and bittersweet comedy speaks to the heart of what matters.
SHOW NOTES
The Fringe Festival
PLAYING
EXIT Stage Left
SATURDAY 6 10:00 PM
SUNDAY 7 4:00 PM
TUESDAY 9 7:00 PM
SATURDAY 13 2:30 PM
The Punchline: Buy Tickets



Listen Now



alicia dattner festival sf fringe the punchline ]]></content:encoded>
			<wfw:commentRss>http://www.coolashelltheatre.com/podcasts/the-punchline-by-alicia-dattner-being-performed-at-the-2008-sf-frnige-festival/feed/</wfw:commentRss>
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<itunes:duration>8:58</itunes:duration>
		<itunes:subtitle>Listen in as your host, Michael Rice, interview Alicia Dattner, an up and coming comic who has dreams of hosting the Oscars. She will be performing at he 2008 SF Fringe festival</itunes:subtitle>
		<itunes:summary>This one-woman-show takes an irreverent look at what stops people from pursuing their dreams. Dives inside the wild playground of the mind and ask the big questions: What's life all about? Why am I here? Where are you hiding the chocolate?

Take a journey with Alicia into the quirky world of standup comedians, hungry-funny monsters who live in the belly, Jewish grandmothers, and wacky gurus who all think they know the answers. This poignant and bittersweet comedy speaks to the heart of what matters.</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Exit Sign: A Rock Opera, being performed at the 2008 SF  Fringe Festival</title>
		<link>http://www.coolashelltheatre.com/podcasts/exit-sign-a-rock-opera-being-performed-at-the-2008-sf-fringe-festival/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/exit-sign-a-rock-opera-being-performed-at-the-2008-sf-fringe-festival/#comments</comments>
		<pubDate>Wed, 03 Sep 2008 04:57:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>blue buddha</dc:subject><dc:subject>exit sign a rock opera</dc:subject><dc:subject>sf fringe festival</dc:subject><dc:subject>steph x</dc:subject><dc:subject>supersonic theatre</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/exit-sign-a-rock-opera-being-performed-at-the-2008-sf-fringe-festival/</guid>
		<description><![CDATA[Podcast #180
 
Exit Sign: A Rock Opera performed by Supersonic Theatre, plays at the SF Fringe Festival 2008.
Hot off the heels of its sold-out June premiere, this rock-n-roll musical adventure follows a father and daughter as they travel through experiences of time, mortality, death and love. &#8220;Inspired by the fallout from her father&#8217;s death, Baum&#8217;s [...]]]></description>
			<content:encoded><![CDATA[Podcast #180
 
Exit Sign: A Rock Opera performed by Supersonic Theatre, plays at the SF Fringe Festival 2008.
Hot off the heels of its sold-out June premiere, this rock-n-roll musical adventure follows a father and daughter as they travel through experiences of time, mortality, death and love. &#8220;Inspired by the fallout from her father&#8217;s death, Baum&#8217;s light take on a heavy topic is no joke - and neither are the expert harmonies.&#8221; (Bay Guardian). &#8220;The poignant story, juxtaposed against catchy ditties like &#8220;I Want It&#8221; and &#8220;Sex and Ice Cream,&#8221; will make you alternate between head-bobbing and the sniffles.&#8221; (SF Weekly) Merging humor, irony, and kick-ass ensemble vocals, Exit Sign celebrates both the greatness and absurdity of our humanity.
SHOW NOTES
The Fringe Festival
PLAYING
SATURDAY 6 8:30 PM
THURSDAY 11 7:00 PM
SATURDAY 13 10:00 PM
SUNDAY 14 8:30 PM
Exit Sign: A Rock Opera: Buy Tickets



Listen Now



blue buddha exit sign a rock opera sf fringe festival steph x supersonic theatre ]]></content:encoded>
			<wfw:commentRss>http://www.coolashelltheatre.com/podcasts/exit-sign-a-rock-opera-being-performed-at-the-2008-sf-fringe-festival/feed/</wfw:commentRss>
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<itunes:duration>12:07</itunes:duration>
		<itunes:subtitle>Your host, Michael Rice, talks with some 2008 SF Fringers who are as ecclectic as any of the fringers can be. In this fun interview, listen in on how and what these people are presenting.</itunes:subtitle>
		<itunes:summary>Hot off the heels of its sold-out June premiere, this rock-n-roll musical adventure follows a father and daughter as they travel through experiences of time, mortality, death and love. "Inspired by the fallout from her father's death, Baum's light take on a heavy topic is no joke - and neither are the expert harmonies." (Bay Guardian). "The poignant story, juxtaposed against catchy ditties like "I Want It" and "Sex and Ice Cream," will make you alternate between head-bobbing and the sniffles." (SF Weekly) Merging humor, irony, and kick-ass ensemble vocals, Exit Sign celebrates both the greatness and absurdity of our humanity.</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Theres A Monster In The Well: SF Fringe Festival 2008</title>
		<link>http://www.coolashelltheatre.com/podcasts/theres-a-monster-in-the-well-sf-fringe-festival-2008/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/theres-a-monster-in-the-well-sf-fringe-festival-2008/#comments</comments>
		<pubDate>Tue, 26 Aug 2008 02:23:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>bitter show</dc:subject><dc:subject>marin shakespeare</dc:subject><dc:subject>melinda bailey</dc:subject><dc:subject>sf fringe festival</dc:subject><dc:subject>theres a monster in the well</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/theres-a-monster-in-the-well-sf-fringe-festival-2008/</guid>
		<description><![CDATA[Podcast #179
 
There is a Monster In The Well performed by Bitter Show plays at the SF Fringe Festival 2008.
Bitter Show is a well-seasoned sketch-comedy super group. Their latest effort is an over-produced, multi-media extravaganza of music, comedy that features an actual well with an actual fake monster in it. Bitter Show&#8217;s &#8220;There&#8217;s a Monster [...]]]></description>
			<content:encoded><![CDATA[Podcast #179
 
There is a Monster In The Well performed by Bitter Show plays at the SF Fringe Festival 2008.
Bitter Show is a well-seasoned sketch-comedy super group. Their latest effort is an over-produced, multi-media extravaganza of music, comedy that features an actual well with an actual fake monster in it. Bitter Show&#8217;s &#8220;There&#8217;s a Monster in the Well!&#8221; can best be described as a comedy show referential of Thorton Wilder&#8217;s mid-century masterpiece &#8220;Our Town&#8221; only not so wordy, the stage manager is seen and never heard and there&#8217;s a monster in a well. Mr Wilder responded &#8220;Yes, that&#8217;s pretty much what I was thinking. Thank you Bitter Show, for letting me know myself better.&#8221;
SHOW NOTES
The Fringe Festival
PLAYING
FRIDAY 5 10:00 PM
SATURDAY 6 10:00 PM
FRIDAY 12 10:00 PM
SATURDAY 13 10:00 PM
Theres A Monster In The Well: Buy Tickets



Listen Now



bitter show marin shakespeare melinda bailey sf fringe festival theres a monster in the well ]]></content:encoded>
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			<enclosure url="http://www.coolashelltheatre.com/mp3s/MelindaBailey_TheresAMonsterInTheWellPodcast.mp3" length="4956160" type="audio/mpeg"/>
<itunes:duration>10:19</itunes:duration>
		<itunes:subtitle>Your host, Michael Rice, presents you with the first person I interviewed for the 2008 SF Fringe Festival. Melinda Bailey is part of a group called Bitter Show. They are an experienced Sketch Comedy group out to make you LAUGH!

She didn't make me laugh in the interview, but she definitely had me thinking that they had material that would make their audience laugh.</itunes:subtitle>
		<itunes:summary>Bitter Show is a well-seasoned sketch-comedy super group. Their latest effort is an over-produced, multi-media extravaganza of music, comedy that features an actual well with an actual fake monster in it. Bitter Show's "There's a Monster in the Well!" can best be described as a comedy show referential of Thorton Wilder's mid-century masterpiece "Our Town" only not so wordy, the stage manager is seen and never heard and there's a monster in a well. Mr Wilder responded "Yes, that's pretty much what I was thinking. Thank you Bitter Show, for letting me know myself better."</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>UBU FOR PRESIDENT, by Shotgun Players, promises to give an absurdist look at the presidential elections, based on the 1896 play UBU ROI</title>
		<link>http://www.coolashelltheatre.com/podcasts/ubu-for-president-by-shotgun-players-promises-to-give-an-absurdist-look-at-the-presidential-elections-based-on-the-1896-play-ubu-roi/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/ubu-for-president-by-shotgun-players-promises-to-give-an-absurdist-look-at-the-presidential-elections-based-on-the-1896-play-ubu-roi/#comments</comments>
		<pubDate>Mon, 11 Aug 2008 07:58:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>alfred jarry</dc:subject><dc:subject>patrick dooley</dc:subject><dc:subject>Shotgun Players</dc:subject><dc:subject>ubu for president</dc:subject><dc:subject>ubu roi</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/ubu-for-president-by-shotgun-players-promises-to-give-an-absurdist-look-at-the-presidential-elections-based-on-the-1896-play-ubu-roi/</guid>
		<description><![CDATA[Podcast #178
 

Ubu For President is about a big slobbering, farting war general who becomes the leader of the make-believe land called Fugall who goes on to rape, pillage and plunder the men women and children of the land

So why and the hell would anyone want to watch this show?
Because it is going to be [...]]]></description>
			<content:encoded><![CDATA[Podcast #178
 

Ubu For President is about a big slobbering, farting war general who becomes the leader of the make-believe land called Fugall who goes on to rape, pillage and plunder the men women and children of the land

So why and the hell would anyone want to watch this show?
Because it is going to be FUN, proclaims the Patrick Dooley, Director of the show and Artistic Director of Shotgun Players Theatre Company.
The play, UBU FOR PRESIDENT, is loosely based on the play UBU ROI, by Alfred Jarry. And when I say loosely based, I am talking loose like a Hilton Heiress.
Ubu Roi, the original play by Alfred Jarry, was ground breaking for many reasons. One of those reasons was because when it premiered in 1896, the first word from the mouths of actors was marde.
Now for those of you who dont know any French, the American equivalent would be shit. During the 1800s and early 1900s, it was not very polite to be so blunt in the theatre. People were so in an uproar when they heard Marde, a riot broke out. 
Thats right, the aristocratic crowd, that still unfortunately defines theatre, went into an uproar. So Mr. Philip and his little lap dog, stood up and slapped, Mrs. Gooder with his white glove. And so spread the violence thru-out the theatre.
The word shit will not startle any American audience today, but this is an indication of how the play UBU FOR PRESIDENT will be.
Not your typical politically correct play, and as far as I am concerned, we need more - less politically correct plays in our repertoire.

Why did Patrick Dooley and the Shotgun Theatre Players decide to do a play based on a shoe string connection to the original play (Ubu Roi)?

Politics baby, Politics
The Historic 2008 presidential election is upon us, and the Shotgun Players want to have some fun. What they really want to do is turn politics upside down. And how are they going to achieve that?
As described by director and Artistic director, Patrick Dooley, it is a freak fest, carnival, fart fest hyped up for your enjoyment. It turns out that the play Ubu for President has men dressed as women, women dressed as men, women dressed as animals. If that is not crazy, I dont know what is? But they ado all this to help lighten the mood for the tough economic climate that Americans now face. 
And we also face an election that can categorically move us forward in our race relations with ourselves. But in order to do that, we must be willing to look at some ugly aspects about ourselves.
I dont know about you, but looking at ugly aspects about myself can be a painful proposition. It is not something that people like doing. Which is why the Shotgun players are putting a play onstage that will allow you to see the ugly side of America, without you having to do the painful introspection thing. That will definitely take some pressure off of you while still allowing you to examine the changes that need to happen in our world.

If you like the absurdist movement, then you are about to appreciate UBU FOR PRESIDENT, because this play is loosely derived from what some same to be the grandfather of that movement, Alfred Jarry

I know the creators of Dumb and Dumber, and Porkies give credit to Jarry as influencing their work.
Of course many of us know Beckett as the Father of the absurdist movement, but Jarry had his place also. But when you think of the characters that Alfred Jarry wrote, you can see that modern day films that many would consider marde, were in-fact possible because of the risks that Alfred Jarry took. Jarry writes low ball characters, who tend to be crude, self-serving, sloppy, rude people who resort to lowball tactics to get what they want.
This is certainly true of some of the great comedies of our time. (Now I know there will be a few of you out there who refuse to see Dumb and Dumber as a great comedy, and that is your choice, but there were elements of brilliance in that movie).
There is nothing sophisticated about the characters that Jarry wrote. They were simpletons that everybody could identify with on some level. The thing is, nobody ever saw themselves as that character, we only knew of people like that. 
Ubu Roi was a king who went around murdering, pillaging, and raping the population. Not many people see themselves as that type of person. But we can identify with elements of what makes a person a bad person. 

Ubu For President, written by Shotgun Players, takes Ubu Roi, written by Alfred Jarry, and transports it into a modern day context, complete with whole lot of mayhem, that even you the audience will want to take part of


Even if you feel you are above the antics of the less than everyday man. Go out and have some fun!
Ubu for President is set in a country called Fugall. If you can have fun with that, then you are absolutely the type of person who should not go see this production. The minute I heard Patrick Dooley (director) say that word, I immediately had to stop the interview just so I could have fun with that word. If you cant see the fun in that word, but want a little clue, I would advise you to listen to this interview. You might just laugh!
Ubu for President, in which Ubu is that same, fat, disgusting, self serving, murderous person as in the original play, takes you on a journey on what might happen with this type of character in a modern democratic election.
So in this production there will be debates in front of the audience. You will have the presidential candidates meeting the common man and kissing babies. There will be people at tea parties and fundraisers.
In other words, the Shotgun Players want this to look like a real life presidential race, with Ubu at its helm.
And even more interesting is what happens at a debate when there is food around. Shotgun players is going to give the audience liberty to express themselves with food. And by that I mean that if the audience is not satisfied with a particular candidate, they can throw food. 
Now they are not going to have potatoes, or cantaloupe, or something that can give the actors a concussion. But there will be items like cabbage, carrots, bread and things of the sort.
Shotgun Players wants strong audience participation in this play. You are encouraged to speak out, you are encouraged to voice your opinion, and you are encouraged to barrage the actors with food. 
One word of caution though. They may do to you what you do to them!

What do you think the most difficult aspect of putting this show together was?


I asked Patrick and he gives an honest answer
You have a responsibility audience. And it is a responsibility that I am giving to you.
You see, the most difficult thing about directing the show, for Patrick, was coming up with crazy things to do on stage. The spirit of the play was to find the most outrageous way to tell a story. Patricks job was to find things that seemed outrageous, but felt familiar.
So your responsibility, when you go see this production is to notice if the production falls short because of lack of structure. Notice if the production falls short because of the use of gags, and craziness just because.
OR
Maybe the play works for those very same reasons.
Your job, cool as hell audience, is to decide if the play works, and how.
SHOW NOTES
Shotgun Players Theatre: The Website
Playing August 2 - September 14, 2008
Ubu For President: Buy Tickets



Listen Now



alfred jarry patrick dooley Shotgun Players ubu for president ubu roi ]]></content:encoded>
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			<enclosure url="http://www.coolashelltheatre.com/mp3s/PatrickDooley_UbuForPresidentPodcast.mp3" length="6959104" type="audio/mpeg"/>
<itunes:duration>14:29</itunes:duration>
		<itunes:subtitle>Your host, Michael Rice, sits down with Artistic Director / Director Patrick Dooley to discuss his latest play, Ubu For President. It is a loose, very loose translation of the original Ubu Roi by Alfred Jarry. Patrick has energy, and lots of it. I'm sure it will be indicative of the show he is directing.</itunes:subtitle>
		<itunes:summary>Undecided for 2008? Looking for leadership instead of pandering? By my green candle Vote for Ubu in summer of 2008! When Alfred Jarry's Ubu Roi debuted in 1896 there was a riot that closed the theatre. Why? The title chracter. "He is everything that is foul in the world...devoid of any redeeming characterstic. He is not diluted with Iago's cunning or Macbeth's guilt and somehow he is not unlike us." Or unlike politics in 2008. Cast your ballot for Ubu.</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Roger Rees: star of stage, TV and film, performs his one man show: WHAT YOU WILL at A.C.T. Geary Theatre</title>
		<link>http://www.coolashelltheatre.com/podcasts/roger-rees-star-of-stage-tv-and-film-performs-his-one-man-show-what-you-will-at-act-geary-theatre/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/roger-rees-star-of-stage-tv-and-film-performs-his-one-man-show-what-you-will-at-act-geary-theatre/#comments</comments>
		<pubDate>Mon, 21 Jul 2008 16:42:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>a.c.t.</dc:subject><dc:subject>act</dc:subject><dc:subject>american conservatory theatre</dc:subject><dc:subject>ben kingsley</dc:subject><dc:subject>carla befera</dc:subject><dc:subject>judy dench</dc:subject><dc:subject>laurence olivier</dc:subject><dc:subject>patrick stewart</dc:subject><dc:subject>roger rees</dc:subject><dc:subject>shakespeare</dc:subject>
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		<description><![CDATA[Podcast #176
 

THERE IS A SHOW COMING CALLED WHAT YOU WILL

Initially to be called BARD FOR LIFE, until performer / playwright decided on the more practical
And it stars a gentleman of distinction. It will be playing July 18th - August 9th, 2008 at A.C.Ts Geary theatre for a limited engagement run.
I dont want to give [...]]]></description>
			<content:encoded><![CDATA[Podcast #176
 

THERE IS A SHOW COMING CALLED WHAT YOU WILL

Initially to be called BARD FOR LIFE, until performer / playwright decided on the more practical
And it stars a gentleman of distinction. It will be playing July 18th - August 9th, 2008 at A.C.Ts Geary theatre for a limited engagement run.
I dont want to give to much away at the beginning because this is one on the coolest interviews to ever grace Cool As Hell. But I will tell you that this is a one man show that takes a romp thru Shakespearean soliloquies, and does so with humor. It is being performed by a veteran Shakespearean actor who knows how to make compelling characters.
And in this interview, although I knew him to be a compelling actor, I felt the title of his new one man show, WHAT YOU WILL, was rather dull and non-descript. So in those words, dull and non-descript, I ask this veteran stage, tv and film actor to explain his choice for the title of his show.
What he revealed was eye opening to me. I learned something about one of Shakespeare plays that I had never known. WHAT YOU WILL is actually the secondary title to one of shakespeares plays. 
But Roger, in this interview, gives us about 3 layers to the reason why he chose the title WHAT YOU WILL. And they make great sense

IF YOU LISTEN TO THIS INTERVIEW, YOULL GAIN VALUABLE INSIGHT INTO CRAFT AND TECHNIQUE OF ACTING WORTH THOUSANDS OF DOLLARS!

It sounds terrific, but, when and Obie winning, Tony winning actor, who has acted along side some of the BIGGEST NAMES in HOLLYWOOD discusses character, the VALUE of listening to this FREE podcast is ASTRONOMICAL!
How many times in your life have you gotten up close and personal with a true film, TV, and stage legend and gotten to listen to him distill his knowledge down into tasty bite sized morsels that allow you to walk onto the stage and start utilizing them? RIGHT AWAY!
I am going to venture to guess that you dont have that opportunity very often. But that is ok. I am going to venture to say that even I dont get that opportunity very often. So I am sure you can understand the thrill I experienced when I got that opportunity with a man whose name you probably wont recognize, but whose face has been around the entertainment block a few times.
What if I told you the man who was dispensing this knowledge had no pretentious intentions. As a matter of fact, he was as down to earth as you and your next door neighbor. I mean humbleness oozed out of him (until of course, at one point in the interview I asked him to unleash his ego. He did it brilliantly, by the way). 
Let me tell it to you like this.
Because this man has been on so much television.
Because this man has been in so many films.
Because this man has set foot on many of the most prestigious stages.
And because this man is now marketing, publicizing and performing his one man show
EVERYBODY wanted to interview him. And when Cool As Hell got the email invite to come in for the interview, well, lets just say cool as hell is as cool as hell does (meaning our jaws hit the ground but we never let them see us sweat!) But you see, this gentleman had A TON of interviews before I got the chance to interview him. I was actually the last on his agenda (not because we werent cool as hell enough, but because my schedule wouldnt allow for me to be there any earlier. And this gentleman, and his PR firm were kind enough to accommodate my schedule (thank you Carla).
So As you can imagine, or at least I was imagining, this fellow had to be SICK of doing interviews. But guess what? He seemed thrilled, energetic, and truly honored to be on the Cool As Hell Theatre Show.
I say this because I was certain that he was going to give me some dull-drum answers and kind of go thru the motions. But, and I say But here, but he didnt. He gave me his undivided attention. He put careful thought into his answers. He was generous with his responses and gracious in his demeanor.
And thats why I believe the San Francisco  Bay Areas premier performing arts podcast was able to capture some golden advice from a veteran of the stage, TV and film.
Some of the insights he gave into the craft of acting was something that every actor, director and audience member should listen to intently. He explains the mistakes people tend to make when they tackle Shakespeare. And to be honest with you, having myself been taught by some master Shakespeare teachers, I agree with him wholeheartedly.
Acting tips that you&#8217;d have to pay thousands of dollars for to hear from some random acting teacher
How many of you actors, directors or even general audience members who have encountered Shakespeare have heard it treated like it is a religious piece of text? And how do you remember the production? Was it memorable? Was it enjoyable?
I hope you answered these questions with a resounding NO!
It is not a religious text, and this great actor, with EXTENSIVE Shakespearan knowledge believes that to treat it like it is such does not serve the text. It makes it dull, it makes it boring and it makes it unwatchable.
he then goes on to speculate on what Shakespeare may have sounded like. LITERALLY. This guest (and I will let you in on a little secretHe is British) seems to think that Shakespeare sounds best and was meant to be performed as Americans do and as Americans sound.
And to top it off, when you understand that Shakespeare understood the human condition better than anyone else, you come away with a mountain of gold worth of advice from this gentleman.
Take it from me, if you value information, if you value wisdom distilled from experience, if you value principles of performance, you are going to want to listen to this whole interview. It is chalk full of information that will definitely make you a better performer and possible a better human being. 
Here is another tip in equation form:
Humanness -poetry +story for story sake "religious experience = HUGE PAYOFF IN CHARACTER DEVELOPMENT
This may not make absolute sense, but after you listen to the interview, this will come to light.

NAME DROPPING, IN MY OPINION, CAN BE A HUGE TURN OFF, LIKE SOME PION TRYING TO BE SOMETHING HE IS NOT. BUT&#8230;

What happens when the name dropping is well qualified? By a well qualified individual? Is it still repulsive?
There is a podcast that I did by a gentleman who claimed he wrote and was responsible for the movie The Wedding Crasher with Vince Vaughn and Owen Wilson. I actually met him quite by accident.
I was at a Family Pickle Circus anniversary event (and if I may name drop here, that is where the great Bill Irwin, whom I have interviewed, did a lot of training). I was there to do coverage of the event. As I was setting up, a gentleman walked over, introduced himself, and begin to pitch away. 
My name is Rex Reginald and I want to give you the interview of a lifetime. You probably dont know me by name but you definitely know my work. You know the movie The Wedding Crashers? Well I am THE original wedding crasher. I wrote the book on crashing weddings. As a matter of fact I am currently in a lawsuit right now against the producers of the movie for not acknowledging who I am, the book I wrote and me being an inspiration for that movie. Isnt that ridiculous? They would never have had a movie if it wasnt for my book. I mean the techniques in that movie were soooo similar to what I laid out, I was astonished when I saw the movie. I mean I was flummoxed, or as you African Americans like to say, I was bamboozled. You know what I mean brotha? Well anyway, incase you dont believe me I want to show you some pictures. [podcast #34]
This guys pulls out magazine covers, magazine articles, with him standing next to some big name stars. And he is spewing his fast talk faster than a Ferrari Modena can reach 60 from standstill. And I had to admit, I was intrigued by it all, BUT
at the same time I was leary! And he gave me his card and said that I should give him a call to do an interview. 
Well, ladies and gentlemen, boys and girls, pimps, players and hustlers of the theatre world, I did him one better. I said how about right now? I have a few minutes. He agreed and we were off the to races.
After the interview, I was exhausted. Not physically tired, but mentally drained. This guy talked a mile a minute and named dropped with an efficacy that Heidi Fleiss couldnt match if she was reading from her black book.
In the end, I ruled him out as a phony. And so did the listeners who wrote to the Cool as Hell Theatre Podcast. Many of them went out and researched the guy only to come up with NOTHING to substantiate any of his claims.
So why am I telling you all of this? This guy Rex Reginald named dropped because he was A PION TRYING TO BE SOME BIG SHOT HOLLYWOOD PLAYER when in actuality he was obviously the red headed bastard child of a love tryst gone horribly wrong by 2 people who could never make anything of themselves.
That is name dropping gone bad.
The flip side to this story is
The gentleman in this current show IS the EXACT OPPOSITE. When this guy name drops, he does so with credentials to back him up.
When this guy name drops, he does so with stories so believable, you know he is genuine.
When this guy name drops, he does so with some of the biggest legends in television, stage and film, and has personal details about these persons that would be hard to find in public media.

PLEASE TELL ME, WHO IS THIS GUY ALREADY? AND WHAT NAMES, FOR GODS SAKE, DOES HE DROP?


He is none other than Roger Rees.
Now before you go saying WHO???? Who in the hell is Roger Rees???, let me give you his background. 
Do you remember the Television Show Cheers. Well he was the character named Robin Colcord, the multimillionaire industrialist who was hot for Rebecca Howe (played by Kirstie Ally). If you ever saw the show, Cheers, you know his character and how brilliantly he played Robin Colcord.
So Roger Rees can talk about Woody Harrelson, Shelley Long, John Ratzenberger, Kelsey Grammer, Kirstie Alley, Ted Danson, George Wendt, Bebe Neuwirth, and Rhea Perlman.
TV and Film Credits include:
Lord John Marbury (West Wing)
Carlin Marlow (Greys Anatomy)
The Prestige
The Invasion
The Pink Panther
Robin Hood: Men in Tights
Frida
A Midsummer Nights Dream
Garfield
But believe me when I say this IS not an exhaustive list. Check out his complete list of works at the internet movie database.
Not only is Roger Rees an accomplished TV and Film actor, he is also an accomplished stage actor. When I say this cat is accomplished, I mean award winning. But let me first say that he spent 22 years in one of the most prestigious Shakespeare companies in the world. I am sure that many of you know what company that is. The Royal Shakespeare Company. It was while he was a company member there that he won an Olivier Award for his role in the RSCs THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY. 
In case you dont know, the Olivier awards are the British equivalent of our American Tony Awards. Which by the way, I should say, he also won a Tony award for the same role in the LIFE AND ADVENTURES OF NICHOLAS NICKLEBY.
So back to the name dropping issue. He can drop the names of the famous alumni of the Cheers cast, but it goes deeper than that. Although the Cheers cast has some very famous people, and although the Cheers alumni boasts of some very talented individuals, Roger Rees goes on to name drop some even BIGGER names than the Cheers cast.
Listen in to hear about his exploits with Ben Kingsley, as they traveled to Los Angeles during a production. Ben Kingsley is an Oscar winner for his portrayal of Ghandi, in the movie Ghandi. He is a 3 time Oscar nominee for best supporting actor in the movies Bugsy, Sexy beast and House of Sand and Fog.
Ben Kingsley has been in well over 150 television and TV roles. His latest, more popular films include, The Love Guru (2008), Lucky Number Slevin (2006), Oliver Twist (2005), Suspect Zero (2004), etc. 
How about the name Patrick Stuart, who Roger Rees also counts as a friend. Patrick Stuart is an Emmy-, Golden Globe-, and Tony-nominated English film, television and stage actor.
Patrick Stuart is most well known for his roles as Captain Jean-Luc Picard of the starship Enterprise in Star Trek: The Next Generation and Professor Xavier in the X-Men films.
Then there is his good friend Judy Dench.
She has won 9 BAFTAs,
6 Laurence Olivier Awards,
1 Academy Award,
1 Golden Globe,
and 1 Tony.
 Dench&#8217;s more recent film career has been extremely successful. She successfully garnered six Academy Award nominations in nine years for Mrs Brown in 1997; her Oscar-winning turn as Elizabeth I in Shakespeare in Love in 1998; for Chocolat in 2000; for the lead role of writer Iris Murdoch in Iris in 2001 (with Kate Winslet playing her as a younger woman); for Mrs Henderson Presents (a romanticised history of the Windmill Theatre) in 2005; and for 2006&#8217;s Notes on a Scandal, a film for which she received critical acclaim, including Golden Globe, Academy Award, BAFTA and Screen Actors Guild nominations. [http://en.wikipedia.org/wiki/Judi_Dench]
Ohhh, wait. And lets not forget the godfather of acting (and no I am not talking about Al Pachinos Scarface). I am talking about the real life, contemporary godfather of acting.
HERE IS A HINT: STELLAAAAAAAAAA!
Thats right. Roger Rees has walked along side Laurence Olivier. Roger Rees has been on screen with the big O. And Roger Rees has a story about Mr. Olivier that he reveals on the Cool As Hell Theatre podcast. 
So although name dropping can be the mark of a wannabe, of a pion, of a nobody trying to ride on the coattails of those who have worked hard to establish themselves, when Roger Rees does it, it feels absolutely genuine. 

A VETERAN BRITISH ACTOR DECLARES AMERICANS AS GOOD OR BETTER AT SHAKESPEARE THAN THE BRITISH.

There has always been a long debate about whether the British where better at acting Shakespeare compared to Americans. The British have always felt that they were superior handlers of the language than the Americans. But Americans have always felt that they embodied the soul of the meaning behind the lines of Shakespeare. 
Here we have, recorded and on tape, a 22 year Royal Shakespeare Company alumni saying, This New generation of young American actors do shakespeare better than anyone I have seen and I has worked with all the great actors.
I will take that as a victory for the strength of Shakespearian performances on the American soil. 

GO OUT AND SEE ROGER REES PERFORMING WHAT YOU WILL 

The British are coming, The British are coming
This is his show that he is bringing to the SF Bay Area. &#8220;This is hysterical (and somewhat historical) 90 minute gallop through all things Shakespearean is an irreverent one-man everything there is to be or not to be about William Shakespeare: the greatest soliloquies ever written along with side splitting accounts of the funniest disasters ever perpetrated on the stage.&#8221;
SHOW NOTES
American Conservatory Theatre: The Website
Playing July 18"August 9, 2008
Get Tickets: Roger Rees&#8217; WHAT YOU WILL



Listen Now



a.c.t. act american conservatory theatre ben kingsley carla befera judy dench laurence olivier patrick stewart roger rees shakespeare ]]></content:encoded>
			<wfw:commentRss>http://www.coolashelltheatre.com/podcasts/roger-rees-star-of-stage-tv-and-film-performs-his-one-man-show-what-you-will-at-act-geary-theatre/feed/</wfw:commentRss>
			<enclosure url="http://www.coolashelltheatre.com/mp3s/WhatYouWill_RogerReesPodcast.mp3" length="8493056" type="audio/mpeg"/>
<itunes:duration>17:41</itunes:duration>
		<itunes:subtitle>This is without a doubt, the biggest "star" that the Cool As Hell Theatre podcast has had the pleasure of sitting down with and interviewing. He is not a current star but Roger Rees, whose show WHAT YOU WILL is playing at A.C.T's Geary Theatre, has had some major roles on stage, TV and Film. And he does not escape my daft questioning when he sits down with me, your host, Michael Rice and answers the hard questions.</itunes:subtitle>
		<itunes:summary>What You Will is the one-man everything there is "to be or not to be" about William Shakespeare: the greatest soliloquies ever written next to side-splitting accounts of the funniest disasters ever perpetrated on the stage. There's Romeo, Juliet's foolish Nurse, gory Macbeth, Hamlet, and the oh-so-tragic Richard II, joined by the likes of Charles Dickens, James Thurber, Nol Coward, and Stevie Wonder.</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Liza Raynal does the Army in her new show AMERICAN JOE, performed at The Marsh Theatre.</title>
		<link>http://www.coolashelltheatre.com/podcasts/liza-raynal-does-the-army-in-her-new-show-american-joe-performed-at-the-marsh-theatre/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/liza-raynal-does-the-army-in-her-new-show-american-joe-performed-at-the-marsh-theatre/#comments</comments>
		<pubDate>Thu, 10 Jul 2008 01:14:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>american joe</dc:subject><dc:subject>army</dc:subject><dc:subject>liza raynal</dc:subject><dc:subject>one man show</dc:subject><dc:subject>one woman show</dc:subject><dc:subject>The Marsh Theatre</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/liza-raynal-does-the-army-in-her-new-show-american-joe-performed-at-the-marsh-theatre/</guid>
		<description><![CDATA[Podcast #175
 
IMAGINE YOUR SIBLING, WHO YOU ARE CLOSE TO, SUDDENLY DOES SOMETHING THAT GOES AGAINST THE VERY FIBER OF YOUR BEING. WHAT WOULD YOU DO?
I will tell you what Bay Area artist, Liza Raynal did. She created a show. Can you imagine being put in a position of having someone so close to you [...]]]></description>
			<content:encoded><![CDATA[Podcast #175
 
IMAGINE YOUR SIBLING, WHO YOU ARE CLOSE TO, SUDDENLY DOES SOMETHING THAT GOES AGAINST THE VERY FIBER OF YOUR BEING. WHAT WOULD YOU DO?
I will tell you what Bay Area artist, Liza Raynal did. She created a show. Can you imagine being put in a position of having someone so close to you do something that seemed so fundamentally counterpoint to your ideals, that you had to totally re-adjust your attitude about what life was about? Well that is how liza Raynal felt, when her little brother decided to take his life into his own hands.
What did he do you ask?
Before we get into that, lets take a look at their relationship.
]]></content:encoded>
			<wfw:commentRss>http://www.coolashelltheatre.com/podcasts/liza-raynal-does-the-army-in-her-new-show-american-joe-performed-at-the-marsh-theatre/feed/</wfw:commentRss>
			<enclosure url="http://www.coolashelltheatre.com/mp3s/AmericanJoe_LizaReynalPodcast.mp3" length="6121472" type="audio/mpeg"/>
<itunes:duration>12:44</itunes:duration>
		<itunes:subtitle>In this interview, I chat with Bay Area Artist Liza Raynal. Her story begins with a leash and her little brother. (Don't let your mind go there). It's about control. Being in Control. And Controlling. That is until little brother decides it is time for him to take control away from sister and take matters into his own hands. And now sister is faced with prospects she never thought would come to fruition. This is what happens when cold meets hot, when oil meets water, when ice meets fire. 

Liza explains the ramifications of dealing with losing control of a sibling relationship and how it affected her soul desire for good on earth.

Listen in. Its captivating!</itunes:subtitle>
		<itunes:summary>Sister.  Brother.
She's older. He always wanted to be first.
She wears ballet flats. He wears steel-toed boots.
They're both exercising their rights. 
His Second Amendment. Her First.
She's an English teacher. He's an Army recon sniper. 

Joe's heading to Afghanistan. Liza's coming to the Marsh to tell her side of the story.
All they're missing is you.
</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>The San Francisco Mime Troupe presents RED STATE: A play about a small town in a red state that hold the presidential elections by its genitals.</title>
		<link>http://www.coolashelltheatre.com/podcasts/the-san-francisco-mime-troupe-presents-red-state-while-predicting-the-outcome-of-the-2008-presidential-election/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/the-san-francisco-mime-troupe-presents-red-state-while-predicting-the-outcome-of-the-2008-presidential-election/#comments</comments>
		<pubDate>Fri, 04 Jul 2008 04:38:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>michael gene sullivan</dc:subject><dc:subject>musical</dc:subject><dc:subject>obie award</dc:subject><dc:subject>red state</dc:subject><dc:subject>san francisco</dc:subject><dc:subject>sf mime troupe</dc:subject><dc:subject>tony award</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/the-san-francisco-mime-troupe-presents-red-state-while-predicting-the-outcome-of-the-2008-presidential-election/</guid>
		<description><![CDATA[Podcast #174
 
RED STATE: THE OPPOSITE OF WHAT MANY CONSIDER TO BE HEALTHY, INTELLIGENT AND PROGRESSIVE
Do you remember where you where the first time you heard about the explosive and derisive talks of evolution versus creationism? And do you remember the debates where evolution was to be ousted from school curriculum? 
How do you feel [...]]]></description>
			<content:encoded><![CDATA[Podcast #174
 
RED STATE: THE OPPOSITE OF WHAT MANY CONSIDER TO BE HEALTHY, INTELLIGENT AND PROGRESSIVE
Do you remember where you where the first time you heard about the explosive and derisive talks of evolution versus creationism? And do you remember the debates where evolution was to be ousted from school curriculum? 
How do you feel about gay marriages? Especially since its ban in California has been overturned by the California Supreme Court?
How about abortion? What is your stance on that? Are you a right or left winger?
The SF Mime Troupe believes we dont need the moral police running around trying to govern our morals. Instead, they believe, we need to hire competent government employees to spend our tax dollars on the things that matter to us. After all, this is supposed to be a government of the people, by the people and for the people.
TAKE THE FOLLOWING SCENARIO, FROM THE PLAY REDSTATE, AND SEE IF YOU CAN PREDICT THE OUTCOME!
What if a small town found itself at the forefront of a political fight? It&#8217;s Election Day in small town America, and that&#8217;s what happens when, due to an Electoral College tie, the entire Presidential Election comes down to the one tiny town. 
Suddenly, the ignored, disregarded Bluebird, Kansas is the most important town in America. And they are being pressured to quickly cast the deciding vote, and vote the &#8220;right way.&#8221;
But what would happen if they decided to wait? Can one little town hold an entire nation&#8217;s election hostage? Should it? Is bread on the farm house dinner table tonight more important than deciding who sits at the Oval Office desk tomorrow? Yep, this election could take a while . . .
IF YOU LIKE SILENT, REALLY BAD, SOCIALLY IRRELEVANT MIME, THEN YOU WILL HATE THE SF MIME TROUPE
The SF mime troupe is known for their political upheaval thru theatre. They have a mission to empower the working class people and have a political voice that can be heard around the world (literally). Not only do they perform around the world in countries many of us may have never heard of, they have received national recognition by winning a Tony award and 3 Obie awards. 
The SF mime troupes motto: Take todays headlines and turn them into socially dramatic pieces of work. 
Their intention: To activate the audience to go out and overthrow something.
How many of you out there feel that the news coverage is a constant stream of bad news? How many of you believe that the media is a vehicle to disempower our society? How many of you often feel powerless to make a dent in the political structure that is our government?
IF THESE QUESTIONS STRESS YOU OUT, THEN I HAVE THE MAGIC PILL THAT WILL NOT ONLY BRING A SIGH OF RELIEF, YOU&#8217;LL WONDER HOW COME YOU DIDN&#8217;T KNOW THIS LONG AGO&#8230;
There are very few places where you can go see a stage movie that takes hard hitting local and national news and turns it into an inspiring piece of drama. As a matter of fact, in their shows, the SF mime troupe (sometimes playing to crowds of over  2000 people), will demand your active participation in their production. But dont worry, its fun, its engaging, but most of all, IT IS EMPOWERING. 
You are going to find yourself in the midst of an audience that will be supportive, yet there may be some contradictory people. That will rally behind you, yet there will some who rally against you. But most importantly, no matter who surrounds you out on the lawns, whether they agree with you or not, you will be in a safe environment to express your views.
And what is really fun is that the mime troupe believes that music is the bridge to empowerment, so you can expect their politically and musically inspired pieces to give you great value for your money spent: Ohhhh Yeah Put your wallet away because the shows they present are FREE!
THE SF MIME TROUPE BELIEVES THE REPBLICANS CAN WIN THE 2008 PRESEIDENTIAL ELECTIONS IF THEY
We are on the eve of the one of the most historical events in mankinds history. Potential permeates the air. Potential waits to make its mark in the history books. And this potential has been created by you. 
The first black man in the white house is as historic as the first man on the moon, as mans first foray into the air with birds, as mans discovery of the wheel. There is no doubt that we are on the cusp of something Earth shattering.
But the SF Mime Troupe believes the Republicans can win. They believe the Republicans can deflate the air of potential that has enraptured the world. They believe that the Republicans have their own potential: the Potential to Defeat Hope, the Potential to Defeat Change, the Potential to deny America it&#8217;s destiny to present to the world how PROGRESS EVOLVES.
 Michael Gene Sullivan, the writer of their current production: RED STATE, stated in no uncertain terms what he believed the Republicans needed to do to take the White house in the 2008 presidential elections.
The Republicans can win by:
1. Literally attacking us
2. Bombing us and blaming it on someone else
3. Fixing the election
So you see, in essence, one of the most politically inclined theatre producers in our country seems to think that the Republicans have a chance in hell to win the presidential bid. And that is alright with us. 
SF MIME TROUPE HAS TO BE GOOD BECAUSE THEY DONT WANT THE AUDIENCE TO KILL THEM
When I sat down with Michael Gene Sullivan, to discuss the new play RED STATE he penned, one of the things that stood out from our conversation was the things he did so that his audience would not revolt against him. He basically has a manifesto for how to prevent the audience from &#8220;killing him&#8221;.
#1 STYLIZED LANGUAGE.
They have a mission to activate the audience to do something. By that, Michael means he wants his audience to take action. And he is passionate about this directive. But in order to do that, they specifically dont make fun of politics. Instead they want to give you food for thought. [I kept imaging him feeding the audience spinach, giving them &#8216;action taking muscles&#8217; (what I like to call the Popeye syndrome)]. 
It is not that they want to make you think, self evaluate, and self-loathe. As Michael states, that&#8217;s the role of psycho-drama, which the Mime Troupe professes to not being. Instead they want to give you the option of deciding what is relevant and what is not. They do that by elevating the language beyond the ordinary, allowing you to be a bit removed from the style allowing you to see in a whole new light.

#2 LARGER THAN LIFE ACTING.
Many of you may feel that you are allergic to larger than life acting, but look at it in a political light

The political arena is larger than life
The political players are under a microscope, making everything come out larger than life
The role of president is larger than life (very few men, since the inception of the US of A have held that position)
The policies that are made are designed to affect millions of people, which is larger than any one persons life
The government, designed to manage the lives of millions of people is larger than life

The idea to have a show in which the acting is larger than life falls in line with the politics of the United States of America. There is also a practical reason for the larger than life acting. The SF Mime Troupe plays to HUGE audiences. Because of this it becomes necessary to have big acting so that the people in the back row can understand the play. 
So dont let the idea of big acting deter you from seeing the show. Look at it as an extension of what politics is about. And as a necessity to satisfy the large crowd you will be nestled in.
#3 MUSIC
I dont think there is anyone on the planet that doesnt appreciate music. Music is the ointment that calms the savage beast. And in RED STATE, it is the vehicle for delivering FUN, ENTERTAINING SATIRE. Being the sophisticated audience that you are, I am sure that you know some of the most fun and relevant satire has been expressed thru song. And the SF mime Troupe does not shy away from expressing their thought through a good lyric. 
With these 3 steps, stylized language, larger than life acting and music, the SF Mime Troupe hopes to keep you laughing, thinking and really really laughing. They figure, if they can keep you in stitches, youll be too busy laughing to think about throwing that bottle of wine you joyously consumed.
GO SEE THE SF MIME TROUPE AND THERE PRODUCTION OF RED STATE IF YOU WANT TO BE INTELLECTUALLY STIMULATED, HAVE FUN, AND LISTEN TO SOME GOOD OLE SOUL STIRRING, REBEL ROUSING MUSIC
As a matter of fact, as I was sitting with Michael Gene Sullivan, I got the distinct feeling he wanted me to triple dog dare you to come see the show. And he knows that many of you will make the excuse, Well I dont want to have to travel far to see the show. Gas prices are too high. 
AND GUESS WHAT?&#8230; (MICHAEL GENE SULLIVAN IS A MIND READER). 
He understands that. So he made it as convenient as possible for you to come see the show. How answer? He travels the show all over the Bay Area. I am sure that it will be playing in a city near you. Just go to www.SFMT.org to find out more.
And just in case you decide that you dont have the cash to go see this stage movie, Michael has taken care of that. You see the beauty of the SF Mime troupe is that they are all about empowering the community. They are about getting the word out, and helping people feel politically powerful. And they are passionate about doing this. So much so, they put on their shows for FREE. Thats right. FREE.
Now dont let the word FREE scare you. Remember, the SF Mime Troupe has won 3 Obie awards and a Tony award. They dont like to do crap!
So get out there and participate in some political upheaval as we enter a new era of United States History. This is not a time to shy away from taking part in what may turn out to be a defining moment in the lives of millions of Americans. Participate, agitate and lets make something great happen.
Go Barack!
SHOW NOTES
SF Mime Troupe: The Website
Playing July 4th thru Sept 28th @ Various venues across the Bay Area
Get Tickets: OOPPS. Tickets Are Free. Just Show up



Listen Now



michael gene sullivan musical obie award red state san francisco sf mime troupe tony award ]]></content:encoded>
			<wfw:commentRss>http://www.coolashelltheatre.com/podcasts/the-san-francisco-mime-troupe-presents-red-state-while-predicting-the-outcome-of-the-2008-presidential-election/feed/</wfw:commentRss>
			<enclosure url="http://www.coolashelltheatre.com/mp3s/RedState_SFMimeTroupePodcsat.mp3" length="6316032" type="audio/mpeg"/>
<itunes:duration>13:09</itunes:duration>
		<itunes:subtitle>Listen in as your host Michael Rice sits down and raps with playwright, actor, producer Michael Gene Sullivan. We talk about the new show he penned called RED STATE and hear Michael "go off" about what a Red State is and how they are the scourge that hopefully will be ousted in the 2008 presidential campaign.</itunes:subtitle>
		<itunes:summary>What if a small town found itself at the forefront of a political fight? It's Election Day in small town America, and that's what happens when, due to an Electoral College tie, the entire Presidential Election comes down to the one tiny town. Suddenly, the ignored, disregarded Bluebird, Kansas is the most important town in America. And they are being pressured to quickly cast the deciding vote, and vote the "right way."

But what would happen if they decided to wait? Can one little town hold an entire nation's election hostage? Should it? Is bread on the farm house dinner table tonight more important than deciding who sits at the Oval Office desk tomorrow? Yep, this election could take a while . . .</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	</item>
		<item>
		<title>Theatreworks, Robert Kelley, and Stephen Swartz attempt to remix some famous songs from Pippen, Godspell, Wicked, Rags and Working in a new play called SNAPSHOTS!</title>
		<link>http://www.coolashelltheatre.com/podcasts/theatreworks-robert-kelley-and-stephen-swartz-attempt-to-remix-some-famous-songs-from-pippen-godspell-wicked-rags-and-working-in-a-new-play-called-snapshots/</link>
		<comments>http://www.coolashelltheatre.com/podcasts/theatreworks-robert-kelley-and-stephen-swartz-attempt-to-remix-some-famous-songs-from-pippen-godspell-wicked-rags-and-working-in-a-new-play-called-snapshots/#comments</comments>
		<pubDate>Thu, 26 Jun 2008 03:05:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
	<dc:subject>Interviews</dc:subject><dc:subject>david stern</dc:subject><dc:subject>godspell</dc:subject><dc:subject>musical</dc:subject><dc:subject>pippen</dc:subject><dc:subject>robert kelley</dc:subject><dc:subject>stephen shwartz</dc:subject><dc:subject>theatreworks</dc:subject><dc:subject>wicked</dc:subject>
		<guid isPermaLink="false">http://www.coolashelltheatre.com/podcasts/theatreworks-robert-kelley-and-stephen-swartz-attempt-to-remix-some-famous-songs-from-pippen-godspell-wicked-rags-and-working-in-a-new-play-called-snapshots/</guid>
		<description><![CDATA[Podcast #173
 
WHAT GRAINS OF WISDOM CAN YOU HARVEST FROM A MAN WITH A PHENOMENAL MILESTONE THAT MOST THEATRES CAN ONLY DREAM OF
It takes a person of certain determination to take a theatre from nothing to attracting world class artists. Robert Kelley is the pioneering founding artistic director (and director of their current production: SNAPSHOTS) [...]]]></description>
			<content:encoded><![CDATA[Podcast #173
 
WHAT GRAINS OF WISDOM CAN YOU HARVEST FROM A MAN WITH A PHENOMENAL MILESTONE THAT MOST THEATRES CAN ONLY DREAM OF
It takes a person of certain determination to take a theatre from nothing to attracting world class artists. Robert Kelley is the pioneering founding artistic director (and director of their current production: SNAPSHOTS) who has reigned at the helm of Theatreworks for 39 years taking it into the stratosphere of what a theatre is about (producing relevant art for its audience)
&#8230;What it can achieve (accolades about the quality of work his theatre produces)
And how to maintain its existence in political and financial ups and downs (maintaining cash flow with financial constraints imposed by governmental as well as corporate agencies). 
STAR POWER ABOUNDS IN THEATREWORKS NEW PRODUCTION: SNAPSHOTS
Robert Kelley has a knack for attracting world class talent. What theatre would not like to do that? I am sure that many of you have dreamed about it, but Robert actually does it. He is not shy about revealing a few of his techniques for attracting talent that increases his theatres bottom line. 
And they are revealed in this podcast interview about SNAPSHOTS, written by Steven Swartz and David Stern
The story drops us into a marriage that is on the rocks, and no we are not talking about a Vodka Martini (although the couple may need one). We are given the opportunity to take a voyeuristic glimpse into the lives of a couple whose world is about to change. How, you ask? 
A review. A photographic review. A review with 40 years of history.
A review that will make them relive the good times
the bad times
AND
the ugly times
And at the end, a decision must be made. But what&#8217;s interesting is what will be revealed to you thru song! 
BUT&#8230;THERE IS A BIG PROBLEM!
The songs will be familiar to many of you who are familiar with the works of Steven Swartz. You see, Mr. Swartz brings his Multiple Oscar winning experience, Hollywood experience, his legendary Broadway experience, and his famous Broadway songs to this production. What Robert Kelley (the Director) had to struggle with was how to have these famous songs re-lyricd so that when you heard them, you were and are not whisked back to their original productions. 
[But Michael, Mr. host of the Cool As Hell Theatre Show, I am not sure what you mean.]
If you know anything about musical theatre, you will certainly have heard songs from Mr. Swartz plays Wicked, Pippen, Godspell, Rags, Working, etc, etc.
So can you imagine a new play that incorporates already titillating, already brilliant, almost instantly recognizable songs into its structure? 
THEATREWORKS ATTEMPTS THE IMPOSSIBLE
Theatreworks has taken on a task that seems almost insurmountable They have the audacity to produce a show, with a world class musical writer, re-purposing so of his most successful past hits (hits from WICKED, PIPPEN, GODSPELL, RAGS, and WORKING), and trying to make them work in A BRAND NEW SHOW&#8230;
Can They Do it? Can They Make It Work??
SHOW NOTES
 Theatreworks presents:: SNAPSHOTS :: The Website
Playing June 18th and July 13th @ TheatreWorks
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david stern godspell musical pippen robert kelley stephen shwartz theatreworks wicked ]]></content:encoded>
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<itunes:duration>7:28</itunes:duration>
		<itunes:subtitle>In this brief and to the point interview, your host, Michael Rice interviews Robert Kelley (Founding Artistic Director of Theatreworks) about the project he tackled called SNAPSHOTS. Why do I use the word "tackled"? Because he has teamed up with a Broadway legend to create a new musical with re-lyric'd songs from musicals such as Pippen, Wicked, Godspell and the likes</itunes:subtitle>
		<itunes:summary> Three Oscars, five Grammys, and a bevy of Broadway hits--and now Stephen Schwartz reinvents the musical with the help of a photo album filled with memories. Part revue, part comedy, part poignant drama, Snapshots is the chronicle of a marriage thats lost its way, only to discover its depth in the passages of the past. Mixing his cherished hits with a wealth of original songs, the author of Wicked, Godspell, and Pippin makes the messed-up minefield of love into a triumph of the heart.</itunes:summary>
		<itunes:keywords>Interviews</itunes:keywords>
		<itunes:author>Michael Rice</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
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